· 2019
The Cultural Industries
- 1,130citations
- 2019year
Short summary
This abstract outlines a book exploring the evolution of cultural industries from the 20th century to 2012, focusing on changes in policy, ownership, and the impact of digitalization.
AI-generated from the title and abstract; the full text is not read.
Key points
- Analyzes policy changes in telecommunications, broadcasting, and copyright.
- Examines shifts in ownership, structure, and size of cultural industries.
- Investigates the impact of digitalization and the internet on cultural production.
- Discusses the interplay between creativity, commerce, organization, and labor.
AI-generated from the title and abstract; the full text is not read.
Abstract
Introduction: Change and Continuity, Power and Creativity PART ONE: ANALYTICAL FRAMEWORKS Theories of Culture, Theories of Cultural Production Cultural Industries in the Twentieth Century: The Key Features Why the Cultural Industries Began to Change in the 1980s PART TWO: POLICY CHANGE Marketization in Telecommunications and Broadcasting Further Changes in Policy: Copyright and the Cult of Creativity PART THREE: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1980 TO 2012 Ownership, Structure and Size Creativity and Commerce, Organization and Labour Internationalism: Neither Globalisation Nor Cultural Imperialism Digitalisation and the Internet The Impact of the Internet and Digitalisation on Existing Cultural Industries Texts: Diversity, Quality and Social Justice Conclusions: A New Era in Cultural Production? Glossary
The authors' abstract, as published at the source., 2019 · DOI ↗
Continue with a free account
Ask the paper: 3 free questions a day about this paper; save it, get its citation, new summaries every day for your field. Takeaways are Premium.
Continue free on the webSign in with Google or Apple; no card needed. You come back to this paper.
On your phone:
Field: Urban Studies
Urban StudiesSocial Sciences