Journal of Cultural Economy· 2026Q1
Matter matters in markets: illuminating dark matter in opioid and weight loss markets
- 0citations
- Q1SCImago
- 2026year
Short summary
Pharmaceuticals like OxyContin and Ozempic/Wegovy demonstrate that materials possess agency, perpetually generating new interactions and even unanticipated illicit markets, challenging human-centric market studies.
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Key points
- Market studies should incorporate insights from agential realism, recognizing the agency of materials.
- Pharmaceuticals like opioids (OxyContin) and weight loss drugs (Ozempic/Wegovy) actively shape market interactions.
- Material agency can lead to the spontaneous emergence of new, unanticipated markets, including illicit ones.
- This perspective challenges human-privileged views and the idea of 'pacified' market goods.
AI-generated from the title and abstract; the full text is not read.
Abstract
We draw into market studies insights from Karen Barad’s agential realism and pharmaceutical science and technology studies to highlight the liveliness of materials, whose agency can only be understood in and through their relations. With this perspective, we challenge tendencies of human privileging and accounts of easily ‘pacified’ market goods in market studies research. Through the case of two prominent pharmaceutical matters – opioids such as the infamous OxyContin and GLP-1 receptor agonists such as Ozempic/Wegovy, used for weight loss – we demonstrate how material agency in markets is perpetually generative of new interactions and relationships. This generativity extends to the emergence of new markets – including ‘dark’ or illicit ones – which may have been unanticipated by human market shapers. We use the term ‘dark matter’ in a metaphorical sense, highlighting its invisibilities in our own scholarly community: material agency may escape not only the market frames constructed and shaped to ‘pacify’ it, but also our analytical gaze as researchers. Illuminating dark matter’s irrepressible relationality not only highlights the ontopolitics of lively materials in markets but also our own relationalities: the parts we play in the co-production of research and the cuts we make in the market stories we tell.
The authors' abstract, as published at the source. Journal of Cultural Economy, 2026 · DOI ↗
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Field: Cultural Studies
Cultural StudiesSocial Sciences