Journal of popular romance studies· 2026Q1· Review
Review: Love Stories Now and Then. A History of Les romans d’amour, by Marie-Piere Luneau and Jean-Phillipe Warren
- 0citations
- Q1SCImago
- 2026year
Short summary
Love Stories Now and Then provides a comprehensive history of French-Canadian romance novels from the 1830s onwards, highlighting their development and influences from France, England, and the US.
AI-generated from the title and abstract; the full text is not read.
Key points
- The book surveys French-Canadian romance novels from the 1830s to the present, with a focus on writers from Quebec.
- It defines 'romance novel' by specific narrative criteria: a single love story structuring the plot, a couple from start to finish, and a meeting-disjunction-conjunction sequence.
- The study examines six major periods of romance novel development, from 1830-1860 to since 2000.
- It highlights the influence of French, English, and US romance novels on the Québécois corpus.
- The book notes that the romance genre faced suspicion and obstacles during its rise.
AI-generated from the title and abstract; the full text is not read.
Abstract
Grounded in bibliographical research, Love Stories Now and Then includes more than 100 romance novels, and thoughtful, contextualized descriptions and interpretations.It offers English-speaking readers a glimpse into French-Canadian (Québécois) romance novels, and works from France, England, and the United States which dominated the Québécois romance corpus and influenced its development.(Located in Eastern Canada, the province of Quebec houses approximately one quarter of Canada's population.)Insisting that love is not that spontaneous and free, Luneau's and Warren's (2024) book consists of six chapters, a preface to the English Edition, conclusion, and notes.The authors provide a comprehensive survey from the 1830s onwards, giving marginalized French-Canadian writers, especially those from the province of Quebec, a voice.To keep this romance genre as circumscribed as possible, Luneau and Warren defined 'romance novel' by drawing on Ellen Constans' (1999) three invariants (novel must consist of a single love story whose unfolding structures the entire narrative; two protagonists are designated as a couple from the very first pages onwards and are a couple at the denouement; the unfolding narrative includes this sequence: meeting, disjunction and final conjunction).Additionally, novels had to be written in French by Quebec authors, be circulated beyond the periodical press, and published in book-format (26).Different texts that elucidate the birth of romantic imagination in Quebec were also included, because they delineate the development of Québécois romance novels from the end of the 19 th century to World War II (27).Focusing on six major periods (1830-1860,1860-1920,1920-1940, 1940-1965, 1965-2000, since 2000), their book addresses many questions about love.Chapter One comprises five sections that explore 'love and adventure', 'the language of love', 'the heart's reason that reason knows', 'God', and 'respectable love'.We learn that the romance genre was viewed with suspicion and its rise hampered.To illuminate its inception, Luneau and Warren take readers on a detour via gothic novels (heroine is often
The authors' abstract, as published at the source. Journal of popular romance studies, 2026 · DOI ↗
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Field: Classics
ClassicsArts and Humanities