Journal of Medieval History· 2026Q1
London and the Lesnes Missal: Commemoration, Erasure, and the Economy of Salvation
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- Q1SCImago
- 2026year
Short summary
Lesnes Abbey's illuminated missal reveals a shift in patronage from the de Lucy family to London's mercantile class by the 14th century, driven by the abbey's deepening financial difficulties.
AI-generated from the title and abstract; the full text is not read.
Key points
- Commemorative entries in Lesnes Abbey's missal shifted from the de Lucy family to London's mercantile, clerical, and administrative elites by the 14th century.
- The frequency of these entries increased as the abbey faced deepening financial difficulties.
- Grants and remittances associated with these commemorations helped mitigate the abbey's revenue shortfalls.
- Ultraviolet light revealed erased names, indicating temporary or limited-term memorials.
AI-generated from the title and abstract; the full text is not read.
Abstract
The present study charts changes in patronage and commemoration at Lesnes Abbey, c. 1200–1400. It focuses principally on the listed names of patrons, donors, and benefactors that accompany the liturgical memento of the dead in the abbey’s illuminated missal (London, Victoria and Albert Museum MSL/1916/404). Situating these marginal entries within the wider archival, archaeological, and manuscript evidence for the abbey, it contends that they reflect a shift in the abbey’s patronage: whereas these commemorations were originally for members of the de Lucy family, descendants of the abbey’s founding patrons, the fourteenth-century entries reflect the house’s increasing reliance on the credit, capital, and patronage of London’s mercantile, clerical, and administrative milieux. The frequency of these entries increased as the abbey’s financial difficulties deepened, and the grants and remittances they represented served partly to mitigate its revenue shortfalls. Ultraviolet light reveals erased names which likely represented temporary or expressly limited-term memorials.
The authors' abstract, as published at the source. Journal of Medieval History, 2026 · DOI ↗
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Field: Classics
ClassicsArts and Humanities