Premio ricerca Città di Firenze· 2012
Matrici romano-milanesi nella poetica architettonica di Luigi Moretti. 1948-1960
- 41citations
- 2012year
Short summary
This analysis identifies recurring architectural motifs in Luigi Moretti's post-war projects, distinguishing between Roman and Milanese cultural spheres to reveal a dual yet coherent stylistic language.
AI-generated from the title and abstract; the full text is not read.
Key points
- Identifies distinct architectural motifs linked to Roman and Milanese cultural spheres in Moretti's work.
- Argues for a dual thematic register within Moretti's post-war architectural poetics.
- Connects architectural language to literary and art criticism, citing 20th-century European literature.
- Asserts a coherent stylistic language despite geographical and thematic duality.
AI-generated from the title and abstract; the full text is not read.
Abstract
Ricciuti starts from an analysis of some of the most significant projects from the post-war period to identify, for each of the cultural spheres geographically defined by the cities of Rome and Milan, a series of recurring characteristics and motifs that can be traced back to the maestro's desire to maintain a coherent language, albeit in a dual thematic register. Within the assertion that there exists a specificity to Moretti's work, and a close relationship with the different contexts, the author investigates this duality while seeking an alliance with literature and art criticism. This she does by recalling terms belonging to the language of artistic exegesis, but also by citing some authoritative contributions to the history of poetry and of European literature from the twentieth century and much more besides.
The authors' abstract, as published at the source. Premio ricerca Città di Firenze, 2012 · DOI ↗
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Field: General Arts and Humanities
General Arts and HumanitiesArts and Humanities