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Cambridge University Press eBooks· 2013· Book chapter

Michael Psellos

Stratis Papaioannou

Short summary

This book reinterprets Michael Psellos' rhetoric and self-representation, challenging the dichotomy of 'pompous rhetorician' vs. 'ingenious thinker'.

AI-generated from the title and abstract; the full text is not read.

Key points

  • Reinterprets Michael Psellos' rhetoric and self-representation, avoiding simplistic categorizations.
  • Analyzes Psellos' personal writings (letters, speeches, lectures, narratives) and compares them to classical and Byzantine authors.
  • Highlights Psellos' innovations in authorial creativity, performative mimesis, and aesthetics of the self.
  • Demonstrates complex expressions of emotion, gender, authorship, subjectivity, and fictionality in Byzantium, challenging their modern invention status.

AI-generated from the title and abstract; the full text is not read.

Abstract

This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions.

The authors' abstract, as published at the source. Cambridge University Press eBooks, 2013 · DOI ↗

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Field: Classics

ClassicsArts and Humanities