· 2018
Music and the Cultures of Print
- 141citations
- 2018year
Short summary
This collection explores how music was produced, distributed, and consumed through print across various historical periods and cultures, revealing print's role in shaping musical practices and identities.
AI-generated from the title and abstract; the full text is not read.
Key points
- Explores the historical production, distribution, and consumption of music through print.
- Covers diverse musical eras, including Renaissance, opera, and popular song.
- Examines the roles of composers, publishers, and readers in print music culture.
- Investigates how print shaped musical genres, identities, and entrepreneurial practices.
AI-generated from the title and abstract; the full text is not read.
Abstract
Introduction. Kate Van Orden Printing the 'New Music'. Tim Carter Elite Books, Popular Readers, and the Curious Hundred Year History of the Liber Usualis. Katherine Bergeron Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera. Thomas Christensen Alban Berg Remembers Emil Hertzka: Composer and Publisher Between Real and Ideal. Robert Holzer Orlando di Lasso, Composer and Print Entrepreneur. James Haar Authors and Anonyms: Recovering the Anonymous Subject in Cinquecento Vernacular Objects. Martha Feldman Enterprise and Identity: Black Music, Theater, and Print Culture in Turn-of-the-Century Chicago. Thomas Bauman Benigne de Bacilly and the Recueil des plus beaux vers, qui ont este mis en chant of 1661. Lisa Perella Cheap Print and Street Songs Following the Vespres Lyonnaise. Kate Van Orden Afterword. Roger Chartier
The authors' abstract, as published at the source., 2018 · DOI ↗
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Field: Classics
ClassicsArts and Humanities