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· 2017

How Popular Musicians Learn

Lucy Green

Short summary

Popular musicians primarily acquire skills informally, outside formal education and with minimal help from trained teachers, according to interviews with 15-50 year olds.

AI-generated from the title and abstract; the full text is not read.

Key points

  • Popular musicians predominantly learn skills informally, outside of school or university.
  • Trained instrumental teachers are rarely involved in the informal learning process.
  • The study draws on interviews with musicians aged 15 to 50.
  • Informal learning practices are compared with formal music education methods.

AI-generated from the title and abstract; the full text is not read.

Abstract

Popular musicians acquire some or all of their skills and knowledge informally, outside school or university, and with little help from trained instrumental teachers. How do they go about this process? Despite the fact that popular music has recently entered formal music education, we have as yet a limited understanding of the learning practices adopted by its musicians. Nor do we know why so many popular musicians in the past turned away from music education, or how young popular musicians today are responding to it. Drawing on a series of interviews with musicians aged between fifteen and fifty, Lucy Green explores the nature of pop musicians' informal learning practices, attitudes and values, the extent to which these altered over the last forty years, and the experiences of the musicians in formal music education. Through a comparison of the characteristics of informal pop music learning with those of more formal music education, the book offers insights into how we might re-invigorate the musical involvement of the population. Could the creation of a teaching culture that recognizes and rewards aural imitation, improvisation and experimentation, as well as commitment and passion, encourage more people to make music? Since the hardback publication of this book in 2001, the author has explored many of its themes through practical work in school classrooms. Her follow-up book, Music, Informal Learning and the School: A New Classroom Pedagogy (2008) appears in the same Ashgate series.

The authors' abstract, as published at the source., 2017 · DOI ↗

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Field: Music

MusicArts and Humanities