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· 2013· Book chapter

Race and/as Technology, or How to Do Things to Race

Short summary

This essay proposes that race functions as a technology, a practical art of mediation and enframing that actively shapes history and identity, rather than merely being an object of representation.

AI-generated from the title and abstract; the full text is not read.

Key points

  • Race can be conceptualized as a technology and a mode of medi(t)ation.
  • Race functions as a practical or industrial art, not just an object of representation.
  • It is a historically inflected system of tools and 'enframing' that builds history and identity.
  • Individuals are both users of and used by this racial technology.

AI-generated from the title and abstract; the full text is not read.

Abstract

This essay poses the questions: to what degree are race and technology intertwined? To what extent can race be considered a technology and mode of mediatization, that is, not only a mechanism, but also a practical or industrial art? Could “race” be not simply an object of representation and portrayal, of knowledge or truth, but also a technique that one uses, even as one is used by it-a carefully crafted, historically inflected system of tools, of mediation, or of “enframing” that builds history and identity?

The authors' abstract, as published at the source., 2013 · DOI ↗

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Field: Music

MusicArts and Humanities