Choice Reviews Online· 2013
Decolonizing museums: representing Native America in national and tribal museums
- 415citations
- 2013year
Short summary
Museum exhibitions on Native American history are shifting from curator control to Indigenous self-determination, with museums increasingly incorporating Indigenous worldviews and addressing historical trauma.
AI-generated from the title and abstract; the full text is not read.
Key points
- Museum exhibitions are transitioning from curator control to Indigenous leadership in content determination.
- Efforts focus on incorporating Indigenous worldviews and challenging stereotypical representations.
- Museums are addressing historical trauma and unresolved grief in Native communities through exhibition narratives.
- The analysis draws on case studies from the Smithsonian's National Museum of the American Indian and tribal museums in Minnesota and Michigan.
AI-generated from the title and abstract; the full text is not read.
Abstract
Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the complexities of these new relationships with an eye toward exploring how museums can grapple with centuries of unresolved trauma as they tell the stories of Native peoples. She investigates how museums can honor an Indigenous worldview and way of knowing, challenge stereotypical representations, and speak the hard truths of colonization within exhibition spaces to address the persistent legacies of historical unresolved grief in Native communities.Lonetree focuses on the representation of Native Americans in exhibitions at the Smithsonian's National Museum of the American Indian, the Mille Lacs Indian Museum in Minnesota, and the Ziibiwing Center of Anishinabe Culture and Lifeways in Michigan. Drawing on her experiences as an Indigenous scholar and museum professional, Lonetree analyzes exhibition texts and images, records of exhibition development, and interviews with staff members. She addresses historical and contemporary museum practices and charts possible paths for the future curation and presentation of Native lifeways.
The authors' abstract, as published at the source. Choice Reviews Online, 2013 · DOI ↗
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Field: Museology
MuseologyArts and Humanities