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Journal of Music Theory· 2013Q1

Action and Agency Revisited

Seth Monahan

Short summary

This paper constructs a fourfold hierarchy of fictional agent types (individuated element, work-persona, fictional composer, analyst) to explain how agency metaphors are used and conventionally governed in music analysis, using Beethoven's A-minor Quartet, op. 132 as a case study.

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Field: Music

MusicArts and Humanities