PofoliaShared via Pofolia

Popular Communication· 2026Q2

Unmasking the making of a hero: analyzing Aamir Khan’s fandom in China

Muhammad Yaqoub, Jonathan Matusitz

Short summary

Aamir Khan's popularity in China stems from his films aligning with Chinese aesthetic preferences and social values, beyond just Bollywood's reach, with 80% of surveyed respondents admiring him as an actor and public figure.

AI-generated from the title and abstract; the full text is not read.

Abstract

This study investigates Aamir Khan’s popularity in China as a distinctive case of transcultural stardom. It argues that his reception is shaped not only by the circulation of Bollywood cinema but also by the ways his films align with Chinese aesthetic preferences and social values. Survey findings show that most respondents had watched his films and admired him as both a skilled actor and a socially engaged public figure. Khan’s appeal appears to rest on the convergence of artistic credibility, moral seriousness, and culturally meaningful storytelling. The study contends that his transnational popularity strengthens Indian cinema’s soft power and informs debates on market strategy, star studies, and cultural exchange. More broadly, it suggests that cinema can function as a medium of education, social reflection, and cross-cultural influence when grounded in emotionally resonant, relevant narratives, and it opens new avenues for understanding the reception of Indian cinema in China.

The authors' abstract, as published at the source. Popular Communication, 2026 · DOI ↗

TakeawaysIn the app
Key pointsIn the app
Ask the paperIn the app

The rest is in the Pofolia app

Takeaways, key points and questions to the paper; new summaries every day for your field. Free.

Sign in on the web to open

Field: Visual Arts and Performing Arts

Visual Arts and Performing ArtsArts and Humanities