International Journal of Qualitative Studies on Health and Well-Being· 2026Q1
The hidden curriculum of endurance: how students’ psychosocial stress becomes normalised in arts higher education
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- Q1SCImago
- 2026year
Short summary
A hidden curriculum normalizes exhaustion, uncertainty, and self-sacrifice among arts students in Czech higher education, with students identifying institutional, organizational, and interpersonal stressors.
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Key points
- Arts students face institutional stressors: norms of total commitment, meritocratic success pressure, and social capital accumulation.
- Organizational stressors include intensive time demands, subjective evaluations, and emotionally taxing 'Final Critiques'.
- Interpersonal stressors involve blurred student-teacher boundaries, intergenerational tensions, and peer competition.
- A 'hidden curriculum of endurance' normalizes exhaustion, uncertainty, and self-sacrifice in artistic training.
AI-generated from the title and abstract; the full text is not read.
Abstract
Purpose The deterioration of university students’ mental health has become a global public health concern. However, students’ well-being in arts higher education remains underexamined, despite evidence that arts students may be especially vulnerable to psychosocial distress. This study explored how students in artistic disciplines experienced psychosocial stressors related to their studies in Czech arts higher education.Methods Thirtysemi-structured interviews with students enrolled in visual, audiovisual, and performing arts programmes were analysed using reflexive thematic analysis.Results Three categories of major psychosocial stressors were identified: institutional, organisational, and interpersonal. Institutional stressors included norms of total commitment, meritocratic constructions of success, and pressure to accumulate social capital. Organisational stressors involved intensive time demands, ambiguous and subjective evaluation practices, and emotionally demanding Final Critiques. Interpersonal stressors involved blurred student−teacher boundaries, intergenerational tensions, and competitive peer dynamics. Across these stressors, a hidden curriculum of endurance emerged through which exhaustion, uncertainty, and self-sacrifice became normalised as part of becoming an artist.Conclusions The findings show that psychosocial stressors in arts higher education are socially and institutionally produced and embedded in the everyday conditions of artistic training. Effective responses should address the organisational cultures, pedagogical practices, and relational dynamics through which psychosocial stress is produced and normalised.
The authors' abstract, as published at the source. International Journal of Qualitative Studies on Health and Well-Being, 2026 · DOI ↗
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Field: Visual Arts and Performing Arts
Visual Arts and Performing ArtsArts and Humanities