The Annual of the British School at Athens· 2026Q1
BEFORE THE 1936 EXHIBITION: TENSIONS AND CONTRADICTIONS IN THE EXPORT OF ANTIQUITIES ON THE EVE OF THE KNOSSOS EXCAVATIONS
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Short summary
The British School at Athens (BSA) avoided formal association with antiquity export, despite its members' participation, which complicated the early Knossos excavations.
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Key points
- BSA avoided formal association with antiquity export, a practice its members engaged in.
- This reluctance was a key factor in BSA not officially conducting early Knossos excavations.
- The paper analyzes Arthur Evans' acquisitions, Greek legislation, and object circulation networks.
- Greek perspectives and local agency in antiquity management are also highlighted.
- The study reveals tensions between law, practice, and ethics in the export of antiquities.
AI-generated from the title and abstract; the full text is not read.
Abstract
This paper revisits a seemingly straightforward question: why were the early excavations at Knossos not conducted under the auspices of the British School at Athens? It argues that a key factor lay in the exportation of antiquities, a practice with which the School was reluctant to be formally associated, yet in which its members nonetheless participated. Through an examination of Arthur Evans’ acquisition of objects in Greece in the late 1890s, contemporary interpretations of Greek and Cretan antiquities legislation, and the networks and routes through which objects circulated, the paper situates Knossos within a broader ecology of negotiated legality. Attention is also given to Greek perspectives, particularly those of Iosif Hatzidakis and Panagis Kavvadias, foregrounding local agency and contestation. By tracing the trajectories of objects that ultimately reached Britain – many of which were later displayed in the 1936 London exhibition celebrating 50 years of the British School’s archaeological work in Greece – the paper highlights the tensions between law, practice, and ethics on the eve of the Knossos excavations. It concludes by framing these processes as part of a dialectic of law and infringement that complicates triumphant narratives of archaeological discovery and invites reflection on the ethical foundations of museum collections.
The authors' abstract, as published at the source. The Annual of the British School at Athens, 2026 · DOI ↗
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